Glamerous Girls

                                                Glamerous  Girls  Sex                         Glamour originally was a term applied to a magical-occult spell that was cast on somebody to make them see something the spell-caster wished them to see, when in fact it was not what it seemed to be. In the late 19th century terminology, a non-magical item used to help create a more attractive appearance gradually became known as 'a glamour

Today, glamour is the impression of attraction or fascination that a particularly luxurious or elegant appearance creates, an impression which is better than the reality. Typically, a person, event, location, technology, or product such as a piece of clothing can be glamorous or add glamour.

.Virginia Postrel says that for glamour to be successful nearly always requires sprezzatura - an appearance of effortlessness, and to appear distant - transcending the everyday, to be slightly mysterious and somewhat idealised, but not to the extent it is no longer possible to identify with the person

Glamorous things are neither opaque, hiding all, nor transparent showing everything, but translucent, favourably showing things.

The early Hollywood star system in particular specialised in Hollywood glamour where they systematically glamorised their actors and actresses.

Glamour can be confused with a style, which is adherence to a particular school of fashion, or intrinsic beauty; whereas glamour can be external and deliberate.

"Glamour" originally referred to be a magic spell, an illusion cast by Gypsies and witches.

Late in the 19th century the common meaning shifted to being applied to ordinary objects and jewellery without connotations of supernatural, merely upon the effect that it has on appearance.

This is a sense used in this article and to some extent is the way that it was used by the early Hollywood system.

In modern usage glamour is often confused with style or beauty; but they may be considered to be distinct, although glamour may give the appearance of beauty or present as a personal style.

Many forms of architecture employ glamorous motifs to enhance the appearance of what may be otherwise mundane buildings. The Art Deco style is generally considered to be a glamorous one

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The "Golden Age" of "Hollywood Glamour" was the 1930s and 1940s, following the depression and its aftermath.

Glamour is the result of chiaroscuro, the play of light on the landscape of the face, the use of the surroundings through the composition, through the shaft of the hair and creating mysterious shadows in the eyes.

In Hollywood, stars as far apart as Marlene Dietrich, Carole Lombard, Rita Hayworth and Dolores del Rio, own and acquire glamor, technology and willingness to refine the beauty of its own... Are indecipherable magic of the cinema, substance of the dreams of a generation and the admiration of the following meeting", -filmmaker Josef von Sternberg, .

Hollywood studios presented their female stars in designer gowns and exquisite jewelry,both on screen and in carefully orchestrated occasions for publicity. Joan Crawford is quoted to have said, “I never go outside unless I look like Joan Crawford the movie star.

Photography was shot in rooms which had been specially painted to flatter the skin tone of the actors and actresses, and attention was paid to hair and clothes. Notably this was successfully done with:

.Glamour icons are people that are thought to epitomise glamour, that have an individual style that makes them more attractive

.Glamour photography is the photographing of a model with the emphasis on the model and the model's sexuality and allure; with any clothing, fashion, products or environment contained in the image being of minor consideration. Photographers use a combination of cosmetics, lighting and airbrushing techniques to produce the most physically appealing image of the model possible.

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Many types of media have been accused of glamorising violence, for example the film A Clockwork Orange by Stanley Kubrick or The Matrix.

The Grand Theft Auto video game series is listed in the Guinness Book of World Records 2009 as the most controversial game series and has often been accused of glamorising violence.

Unlike other Germanic languages, the word beauty is with Latin origin as in present Romance languages. The word derives from the Vulgar Latin bellitatem (nominative bellitas) "state of being handsome" from Latin bellus "pretty, handsome, charming," in classical Latin used especially of women and children, or insultingly of men. The newly introduced Latin term replace the replaced the Old English wlite, a concrete meaning "a beautiful woman", that was first recorded in the late 14c

In Ancient Egypt the beautiful face and female body shapewere honoured. Special attention they took on clothes, hairstyleand accessories.

Egyptians invented the makeup. Egyptian were bathing with oils of pleasant smell, wearing light clothes, almost transparent and using cosmetics of natural products. They used natural products, made of almond, lettuce, lily, cumin, to deodorize their skin, daubing it with oils of lime and cedar.

To make the skin softer they used honey. They started using soap around 1500 BC, made up of fats of animals, vegetables and salt. Egyptian women also used to dye their hair with henna andwigs on their short hair. They used a lipstick, an extract of a red paint that was mixture of iodine, bromine and paints od plants.

Nefertiti (left) gave the meaning of beauty to the Egyptians, her name itself means "coming beauty".

The earliest Western theory of beauty can be found in the works of early Greek philosophers from the pre-Socratic period, such as Pythagoras. The Pythagorean school saw a strong connection between mathematics and beauty. In particular, they noted that objects proportioned according to the golden ratio seemed more attractive. Ancient Greek architecture is based on this view of symmetry and proportion.

Plato considered beauty to be the Idea (Form) above all other Ideas. Aristotle saw a relationship between the beautiful (to kalon) and virtue, arguing that "Virtue aims at the beautiful.

Classical philosophy and sculptures of men and women produced according to the Greek philosophers' tenets of ideal human beauty were rediscovered in Renaissance Europe, leading to a re-adoption of what became known as a "classical ideal". In terms of female human beauty, a woman whose appearance conforms to these tenets is still called a "classical beauty" or said to possess a "classical beauty",

whilst the foundations laid by Greek and Roman artists have also supplied the standard for male beauty in western civilization. During the Gothic era, the classical aesthetical canon of beauty was rejected as sinful. Later, the Renaissance and Humanism rejected this view, and considered beauty as a product of rational order and harmony of proportions. Renaissance artists and architect (such as Giorgio Vasari in his "lives of artists") criticised the Gothic period as irrational and barbarian. This point of view over Gothic art lasted until Romanticism, in the 19th century.

The Age of Reason saw a rise in an interest in beauty as a philosophical subject. For example, Scottish philosopher Francis Hutcheson argued that beauty is "unity in variety and variety in unity^. The Romantic poets, too, became highly concerned with thenature of beauty, with John Keats arguing in "Ode on a Grecian Urn" that

Beauty is truth, truth beauty, —that is all.

Ye know on earth, and all ye need to know.

.In the Romantic period, Edmund Burke postulated a difference between beauty in its classical meaning and the sublime. The concept of the sublime, as explicated by Burke and Kant, suggested viewing Gothic art and architecture, though not in accordance with the classical standard of beauty, as sublime